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BUSINESS: IS BRANDING YESTERDAY? PASSE? DEAD?
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Devdutt Trivedi critiques David Cronenberg's Crimes of the Future (2022), exposing its reliance on symbolic structures that fall short of embodying psychological and p...
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In a media landscape divided by class and culture, two Indian shows—The Royals and Thukra Ke Mera Pyaar—reveal how fiction can both mirror and bridge a fractured y...
Read MorePOWERFUL PEOPLE: THE BIG WORLD OF PRAVESH SIPPY
Khalid Mohamed in conversation with Pravesh Sippy on changing lanes from the big-budget films of his father N.N. Sippy, iconic producer and distributor, to making independent ...
Read MoreALTERNATIVE ENTERTAINMENT: REMEMBERING RITUPARNO
Gone but forever remembered is Bengal’s – and India’s – late and classy filmmaker Rituparno Ghosh. On his 12th death anniversary, Monojit Lahiri does a...
Read MoreKALEIDOSCOPE: REIMAGINING TAGORE – INTIMACY & IDEOLOGY
A bold theatrical reimagining of Tagore’s Ghare Baire, Ghar Aur Bahar explores the fraught intersections of love, ideology, and identity with nuance, restraint, and emot...
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Held at the Mumbai Press Club, the Kashish Pride Film Festival press conference united filmmakers, activists, and allies in a passionate call for inclusive cinema, celebrating...
Read MoreGENDER: DAWN AT DUSK – THE NEW CINEMATIC PHENOMENON
Monojit Lahiri focuses on an unusual phenomenon gracing the Bengali screen in recent times – a celebration of older women as storm-centres and nucleus of films which hav...
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Tottenham Hotspur’s 2024/25 campaign was a dramatic clash of despair and triumph—scraping through Premier League survival while clinching Europa League glory again...
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A confluence of luxury, sustainability, and star-studded elegance—Forest Hills brunch redefines conscious living, blending real estate with purpose, style with substance...
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“I am in love with your wife (Maya)!” — a line from Kabhi Alvida Naa K...
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From intimate documentaries to visionary fiction, the WIFF 2025 Jury—comprising ac...
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