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BOLLYWOOD: ARYAN KHAN BREAKS BOLLYWOOD RULES
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ALTERNATIVE ENTERTAINMENT: AND THE LEGACY LIVES ON
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THOUGHT FACTORY: STORIES THAT SHAPE OUR WORLD
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BOLLYWOOD: DINNER IS SERVED, SUSPENSE IS NOT
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TRENDING: THE VILLAIN INDIA NEVER GOT
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BOLLYWOOD: EIGHTY THREE WOWS FOR THE BIG B!
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FESTIVALS: INDEPENDENT VOICES RISE IN VERSOVA
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RETROSCOPE: MAN WITH THE GOLDEN GUITAR
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BOLLYWOOD: SUNNY SANSKARI KI TULSI KUMARI
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POWERFUL PEOPLE: WHEN OPPORTUNITIES KNOCK
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Alternative Entertainment
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ABOUT THE SONG OF SCORPIONS AND IRRFAN
Irrfan Khan’s only real home was cinema, says Anup Singh. The story of The Song of Scorpions emerged from flares and flickers of images in disturbing dreams. This was i...
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‘GOOD JOB NELIIMA!’
Aparajita Krishna has this power-packed conversation with Neliima Azeem - she calls her ‘a very consummate and individualistic artist-woman. Neliima Azeem of beautiful ...
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SHYAM BENEGAL’S JUNOON & A FOUR HOUR TRIP TO THE MOVIES
Sharad Raj, a filmmaker, shares a funny memory that continues to make him laugh even today, about a trip, in Lucknow, to see the film Junoon, with his family. The year was 19...
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DEMOCRACY AND DISSENT
Taking off from Vinod Pande’s latest piece from his YouTube series, ‘Off the Cuff, in which he talks about Rahul Gandhi, Humra Quraishi’s commentary today is...
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TOLLYWOOD’S GIFTED ACTORS
Bengali cinema and filmmakers, though revered worldwide, still do not draw much attention within India. It may have to do something with the overwhelming popularity Bollywood ...
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YET ANOTHER STORY BESIDES PATHAAN
Satyabrata Ghosh explores why audiences at large today prefer to watch a franchise of a spy universe over a modern fairty-tale. No, at the outset, let me tell you that I have...
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ALL ABOUT FRIENDSHIP
Dr. Ajanta Dutt highlights the pathos of a friendship between two boys - an unusual story, Dostojee, filmed in the backdrop of the Babri Masjid mayhem. Dostojee, opened to an...
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JAFAR PANAHI: STRUCTURE, AUSTERITY & SOCIAL CRITICISM
Sharad Raj discusses the cinema of Iranian filmmaker Jafar Panahi, his consummate understanding and command over time and space, and reviews his film The Circle (2000). If th...
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UGETSU MONOGATARI: THE MIZOGUCHI TREASURE
The cinema of Kenji Mizoguchi glides in and out of people’s lives with fluid grace and exquisite tact, writes Sharad Raj “The fruit of experience is beauty,&rdquo...
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MAHABALI: M. K. Raina’s Theatre!
Aparajita Krishna reviews the latest MK Raina play Mahabali and discusses its significance to these times when a distorted interpretation of Lord Ram, which is contrary to the...
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