Breaking News
- Bollywood
BOLLYWOOD: ARYAN KHAN BREAKS BOLLYWOOD RULES
0 - Alternative Entertainment
ALTERNATIVE ENTERTAINMENT: AND THE LEGACY LIVES ON
0 - Thought Factory
THOUGHT FACTORY: STORIES THAT SHAPE OUR WORLD
0 - Bollywood
BOLLYWOOD: DINNER IS SERVED, SUSPENSE IS NOT
0 - Trending
TRENDING: THE VILLAIN INDIA NEVER GOT
0 - Bollywood
BOLLYWOOD: EIGHTY THREE WOWS FOR THE BIG B!
0 - Festivals
FESTIVALS: INDEPENDENT VOICES RISE IN VERSOVA
0 - Retroscope
RETROSCOPE: MAN WITH THE GOLDEN GUITAR
0 - Bollywood
BOLLYWOOD: SUNNY SANSKARI KI TULSI KUMARI
0 - Powerful People
POWERFUL PEOPLE: WHEN OPPORTUNITIES KNOCK
0
Alternative Entertainment
When Atul Met the Movies
Khalid Mohamed in conversation with India’s prime, contemporary artist, Atul Dodiya, on his unbreakable bond with art and cinema. Quite symbiotically, the film image ev...
Read MoreRevisiting Mani Kaul’s Mini-series Ahmaq
Devdutt Trivedi writes that in Ahmaq, Kaul wanted to underline the symbiotic relationship between Hinduism and Islam. The critics and audience alike, largely rejected Mani Ka...
Read MoreSeizing the moment: Ravi K. Chandran
Eminent cinematographer, Ravi K. Chandran in conversation with Khalid Mohamed, on the unfettered joys of still photography. Perhaps the most familiar quote about still photog...
Read MoreThe films of Maya Deren
Between MacGuffin and Transference is the empty signifier that carries her film ‘Meshes of the Afternoon’ forward, writes Devdutt Trivedi The actor embodies the M...
Read MoreThe Indian ‘New Wave’ for the Millennial
Even though I use a lot of close ups, “Once upon a time, long, long ago…” should be the tone and tenor of this account from about 50 years ago, writes Prof....
Read MoreA Faust for Bangladesh
Farrukh Dhondy at his best as he recounts the attempt he once made to adapt Goethe’s Faust for the Bangladeshi screen. Having worked with British Bangladeshi theatre di...
Read MoreA look back at Mira Nair’s tale of Home: Mississippi Masala
Aditi Singh revisits the film Mississippi Masala, thirty years after its release, and recalls the metaphors of ‘home’ and ‘belonging’. Mississippi Mas...
Read MoreClaude Chabrol and The Poetics of Murder
My first exposure to the ‘French New Wave’, La Nouvelle Vague, was through Claude Chabrol’s Violette Nozière (1978). My admiration of the director gre...
Read MoreSoumitra Chatterjee: The Legend Lives On
Legendary actor Soumitra Chatterjee passed away on 15 November 2020. To mark the first anniversary, Shantanu Ray Chaudhuri writes about a forthcoming book on the thespian, Sou...
Read More‘The Poetic Minimalism’ of Abbas Kiarostami
Abbas Kiarostami (1940-2016) is unarguably the most known face of Iran on the map of World cinema, writes Vandana Kumar After seeing not just a couple of his films, bu...
Read MoreBOLLYWOOD: ARYAN KHAN BREAKS BOLLYWOOD RULES
“I am in love with your wife (Maya)!” — a line from Kabhi Alvida Naa K...
October 15 2025ALTERNATIVE ENTERTAINMENT: AND THE LEGACY LIVES ON
Khalid Mohamed in conversation with Ramu Aravindan, founder of a Documentation Centre an...
October 14 2025THOUGHT FACTORY: STORIES THAT SHAPE OUR WORLD
From intimate documentaries to visionary fiction, the WIFF 2025 Jury—comprising ac...
October 13 2025