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At Vanishing Point

As one more beautifully-architected bungalow on Little Gibbs Road bites the dust, Khalid Mohamed writes on the changing face o...

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M K RAINA: A salutation and exploration

Again and this one is vast - Aparajita Krishna walks you through the life of social activist and actor MK Raina. So far, so, s...

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Signs Of The Modern Times

As the friction accelerates between the Centre and the Kashmiri leaders in the  Kashmir Valley, how I wish...

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KASHISH supports non-profits

A special fund 'KASHISH We Care' fund was set up from a portion of the money that was raised from registrations at the 2020 edition of the film...

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Of surrogate ads and liquor brands

A couple of weeks ago I had written an open letter to the chairman of the Advertising Standards Council of India (ASCI) pointing out to him tha...

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Bansi Kaul: Rang Bansi!

He is the chronicler of the theatre of clowns, acrobats, painted faces and laughter, writes Aparajita Krishna

Muslim, Christian & Hindu: Kiran Manral

Some time ago in pre-COVID times, I was in a room full of friends and when I sit back to recall, what comes to mind is that which perfectly def...

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An Unwatchable Boy

Khalid Mohamed reviews the web series A Suitable Boy and Mirzapur 2, streaming on Netflix and Prime Amazon Video respectively....

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Signs of the times: Colour of black is dark

Humra Quraishi comments on the hypocrisy of policy making in Kashmir, the communal colour being given to traditional education...

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Songs of Durga puja

Ashish Ghatak writes on the songs of R.D. Burman and Asha Bhosle which continue to resonate during the puja week, which ends t...

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