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REMEMBERING THE UNFORGETTABLE SMITA PATIL

Manojit Lahiri pays tribute to Shyam Benegal’s smoldering discovery, the only Asian cine-star who had the honor of a Ret...

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CLOSE TO THE GARDEN OF BROKEN SHADOWS

Humra Quraishi traces the events from 6th December 1992 to the recently concluded assembly elections, bring to fore...

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TAMAS: THE LIGHT OF TAMAS

Aparajita Krishna writes,35 years after it lit India’s television screen and cinema, I am herei...

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I WOULDN’T HAVE IT ANY OTHER WAY!

Vinta Nanda explores the making of a poet, reaching nowhere obviously, because ‘if we knew what makes a poet, everyone w...

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DR BRIJESHWAR SINGH’S CALENDAR YEAR

Aparajita Krishna interviews Dr Brijeshwar Singh, one of the best known orthopaedic surgeons of Uttar Pradesh and understands ...

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AB@80me@61

Aparajita Krishna writes a letter to Amitabh Bachchan, recalling her relationship with him while she was growing up over the y...

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The Master: A Documentary

Vinta Nanda chats with Khalid Mohamed on the eve of a screening of his documentary film on Shyam Benegal, at the NCPA auditori...

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The Big Evolution

Khalid Mohamed in conversation with Saif Ali Khan, who has grown from yesterday’s ‘chocolate boy’ to an acto...

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The Ghost of Flaherty

Thinking in retrospect, it is most likely that it was during the shooting of this sequence that the ghost of Robert Flaherty started to hover around me, writes Ramchandra P...

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The Comic World Of Pierre Étaix

Vandana Kumar writes: ‘Le Grand Amour’ (The Great Love) 1969 is a French comedy that introduced me to its director...

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