Is there anyone like Pedro Almodóvar? For those who know his work—and for a sometimes-experimental queer Spanish director, that’s more people than you’d expect—he is a rara avis: an artist whose work has grown over the decades, who has known both commercial and critical success, and whose 20 films run the gamut from hysterical slapstick (Women on the Verge of a Nervous Breakdown) to serious family drama (All About My Mother). Now, the Museum of Modern Art’s film department, which has previously premiered several of Almodóvar’s films, is hosting a retrospective of his 35 year career.

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