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Troubled waters: The fishing community of Worli Koliwada

A photo-feature by Vatsal Shah on the beleaguered fishing village of Worli Koliwada, before and after the outbreak of the pand...

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Tara Kaushal: Why Men Rape

Vinta Nanda interviews author Tara Kaushal, on the eve of the release of her book Why Men Rape...

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Copy-right-Copy-wrong

Veena Bakshi reveals the flawed system by which our Indian entertainment universe operates; where copyrights holders may as we...

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If I were a migrant worker

Vinta Nanda, inspired by a conversation with her friend K’ab, wonders how it would be if we were to be ...

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Cinema of Resistance

Reema Moudgil walks us through some compelling cinema over the last seventy years of India’s independence, which has chr...

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The Master: Soumitra Chatterjee on Satyajit Ray

Even under the uncertainty facing the world at large, following the outbreak of Covid-19, a valiant bid is on in Kolkata to celebrate the cente...

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Justice for Women Amidst COVID-19

A new report documents major challenges to women’s access to justice in light of the COVID-19 pandemic and puts forth recommendations...

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Labour, Rights, Disaster and Capitalism

The global pandemic crisis gripping the world currently has claimed over a quarter of a million lives. It has decimated livelihoods and incomes...

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Pupils of a lesser God

Zuhaib, a student of mass communication at Jamia Millia Islamia University says that because of the lockdown all his classes are now online. Hi...

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Ray lives on

His films are what Akira Kurosawa’s are to Japanese cinema, Robert Bresson’s to France and Michelangeo Antonioni to Italy. Khalid M...

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