Bengali Cinema: A Middle Way to Tread

Satyabrata Ghosh explores the cinema of West Bengal to conclude how the median between art and commerce exists and has been of...

FROM MERE MEHBOOB TO FEVICOL

Bollywood’s amazing lyrics story down the decades - Monojit Lahiri lays it on the line.

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The Hyperlinked World

Ranjan Das takes the Diptakirti Chaudhuri account, Written by Salim-Javed, as a case in point to explore a vast hyperlinked un...

Ballavpurer Roopkatha: A Director In-charge

Satyabrata Ghosh distinguishes between an assembly line process aimed to gain eyeballs from that, which enables cinema to rema...

On Watching Ponniyin Selvan

Satyabrata Ghosh reviews PS-1, a Mani Ratnam film, and discusses why such alternate content is of prime importance at a time w...

Dream Interrupted

Film historian Dhruv Somani laments the fact that Muzaffar Ali’s Zooni (1989), with Dimple Kapadia in the title role, co...

That Year of The Other Woman

Film historian Dhruv Somani flashbacks to the year 1980, when the subject of ‘the other woman’ was no longer consi...

Figuring out Chaddha

An essential quality of cinema is to portray moments that are transitory in human life, writes Satyabrata Ghosh in his take on...

THE TOWERING TRIUMVERATE & THE TERRIFIC TRIO

Dilip-Dev-Raj or Aamir-Salman-Shah Rukh? Monojit Lahiri invites readers to go for it while he attempts to objectively analyze ...