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I will always be an art filmmaker - Sanal Kumar Sasidharan

Cinema in the time of spiralling budgets is not his scene. Sanal Kumar Sasidharan, the 41-year-old outspoken di...

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Women Filmmakers Against Misogyny in Bollywood

Every industry has been plagued by issues when it comes to the wrongful use of power by authorities. The entert...

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Haidar Ali @70 & His Familial Film Heritage: A Treasure Trove

Voter-India ought to be voting Nirbhaya (unafraid) in 2018/ 2019 also for the freedom of Film India, Fashion In...

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Forgotten People

There has been very little work across media on the tragedy of Kashmiri Pandits, who were turned into refugees ...

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Director Amit Masurkar – Newton focuses on the power of a common man.

“I don’t see myself smarter than the audience, hence I don’t assume”, said Amit Masurka...

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Yesteryear’s Legends Emerge Favourites on the Web World

The living legend, Lata Mangeshkar, has scored the highest number of likes and followers across generations, on the plethora of socia...

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Love lost in Yesteryear’s Prem Nagar

Prem Nagar – a lovers’ lane – has gone under. That one spot shielded from voyeuristic eyes by...

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Sharp Satire

“To lose one parent, Mr. Worthing may be regarded as misfortune. To lose both can be regarded as more lik...

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All the World’s a Stage, Not in Mumbai Theatre at Least

Frankly, theatre didn’t prove to be that long-cherished platform to tell a story which was of some value to me – a story about a pre-teen boy who was saved from...

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Experiments with Storytelling: Meet Anuraadha Tewari

In a freewheeling conversation, Anuraadha Tewari, scree...

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