BAISHE SRABON: Dead Poets’ Society

In the series on landmark Bengali films post 2000, Shantanu Ray Chaudhuri looks at Srijit Mukherji’s genre-bending noir ...

CLASSIC HEIST: Six Films That Define the Genre

For a generation weaned on the high-tech-and-gizmo-aided heist of Steven Soderbergh’s Ocean Eleven or Dom Cobb’s equally SFX-aided ...

Animal Kingdom

A throwback by film historian Dhruv Somani, to the Bollywood movies in which wonder animals would prove to be proverbial scene...

It happened one night: Mohanagar

Shantanu Ray Chaudhuri reviews Mohanagar, the latest offering, from Bangladesh, on the streaming platform Hoichoi

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Joy of Acting

Khalid Mohamed talks shop and more with Ali Fazal, who has wowed audiences with a wide range of films like Fukrey and Victoria...

A Quart of Ray

Ever since Satyajit Ray passed away, his works have made it to the screen in sterile, ineffectual adaptations. Netflix’s Ray corrects tha...

The Incredible Story of India’s First Miss India

Khalid Mohamed pays tribute to the first Miss India (1947), Esther Victoria Abraham, who becam...

The Hairdresser’s Husband: Too Much of a Good Thing?

Vandana Kumar explores how a film like The Hairdresser’s Husband starts as a man’s...

A dog, a boy and a film: Musings on Kala

Janaky Sreedharan reviews the Malayalam film Kala (the unwanted) and raises questions on the obsession with violence and its d...