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I WENT TO HIS HOUSE AND SAW…

Humra Quraishi revisits an interview with Captain Lakshmi Sahgal, who questioned the mindless development that takes place in ...

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THE GERSON DACUNHA DIARIES

On the 7th of January, his first death anniversary, we remember Gerson Dacunha through one of his last conversations with Ni...

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Childhood, Holocaust and the Cinema of Louis Malle

Louis Malle’s semi-autobiographical 1987 film ‘Au revoir les enfants’ or ‘Goodbye, Children’ belongs to this rare...

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URMI JUVEKAR: The Storyteller

Aparajita Krishna deep dives to writer Urmi Juvekar’s life and journey as a creative force and returns from the immersiv...

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Bengali Cinema: A Middle Way to Tread

Satyabrata Ghosh explores the cinema of West Bengal to conclude how the median between art and commerce exists and has been of...

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WHO SHOULD BE MADE TO COMPENSATE?

From the institutionalisation of bias to literature about the greatest artists of the past, Humra Quraishi’s c...

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This Distance

Humra Quraishi lays out the importance of the Bharat Jodo Yatra in context to similar Yatras taken by great men like the Mahat...

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Dussehra Diaries

This Dussehra, professionals speak to Monarose Sheila Pereira and share their views on how they connect to the festival.<...

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Here I was born…

Humra Quraishi shares facts about the displacements of one particular minority community of India in the name of development.<...

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The Silenced Valley

Can bringing Cinema to the Kashmir Valley settle the wounds and trauma? No, says Humra Quraishi